Wednesday, 20 February 2019

6B2 - Cover letter

How to write a good cover letter:
Show your personality and confidence. 
Tell them what you have to offer and how you'll benefit them
Never waffle and beat around the bush
It needs to be straight to the point and quick to read
Never repeat things from CV
Research the company so you know them well and can tailor it to them
Be professional!
FINISH STRONG
Portfolio:
Tailor it for them so they can see you working for them and fitting in

Monday, 18 February 2019

6A2 & 6B2 - Regular Practice


Masters at Royal College

Graduated two years ago
Small space encouraged collaboration 

Tried to do some stuff together they wanted to see how you collaboratively create something.
Both work on something at same time
Experimented physically and then developed type digitally.


Started the studio straight after uni- treat studio as a job
sent emails to people, about studio asking for work
first job Icon rethink


Where does work come from?
Editor saw work at show, saw online press and then emailed asking to pitch. 

RCA Show
Designed identity

ask four recent graduates 
Each application would be slightly different. 
Conceptually meant that digital elements manifested in print.


Never made work without getting paid & never done a free pitch.

Preparing for the industry: 
Nothing can replace good work 

there are no shortcuts
create interesting work and people will find it

Utilise your time in education to make interesting work 


Strategies & custom your approach to people 

don't be lazy and don't send lots of the same email to different people - personalise stuff
Go to events 

6A2, 6B2 - Eva Cremers


Internship at man vs machine, dutch designer, always enjoyed being creative but never thought about being a creative as studied international business after high school. 

studied graphic design at 
Art Academy Minerva Groningen 
At uni she made:
Happy Book: a book made by hand using pop-ups.
Graduation show: her first attempt at 3D work
Open day branding : this was more 3D work

Internship:
Dream company Snask, Stockholm
Took a risk and sent a large pink box that was filled with pink party items such as inflatables, balloons, confetti and a letter saying hello i'm your new intern looking forward to seeing a video celebrating that.
Ended up getting a 5 month internship.

Graduation show:
In News We Trust:
Looking at how we are sucked in by a headline and we don't bother reading the full story

Process:
sketching, testing and improving
Realised that a simple poster wouldn't grab attention so it needs to be animated, make sound and move.
End Result:
Moving installation, wanted to focus on idea that reader doesn't focus on actual information. Next to wall newspaper containing information which didn't get read therefore showing that people don't fully pay attention.  Only a few people read through the headlines.

Worked on Instagram/made fun projects
Lead to Design Kids interview 
Intern Magazine
Collaboration, got in touch with superfreak and made a 3D piece out of their work
created a piece for New York Times 
Man vs Machine, didn't know much but started to learn cinema 4D

Top Tips: 
Throw your work online
Use Instagram 
Pinterest is your best friend
Don't be afraid of big designers
Being insecure about your work is normal
It's normal to have no idea what you're doing or what your plans are 


Workshop:
Team up in groups of 6
Search references
Prepear 5 min presentation with references and ideas
Don't think about execution

Theme: senses
work is categorised into the 5 different senses.

sight- things that are visually appealing
sound - things that are not only visual but also play audio
smell - things that smell interesting and need smell to enhance the work
taste - things that can be tasted
touch - things with texture that feel nice


6A2, 6B2 - Pesa Productions











Studied physics with astronomy at uni

Didn't want to be defined by his degree
Discovered job conference producer on Guardian website
knew he wanted a job centred around helping people.

Was a Conference Producer for 3 years. 
Involved the creation of content/speakers for an event.
Did research for content, looked into speakers, work with marketing to make a financially viable event.
Job was critical to career as understood brands more, learnt how to contact brands
Learnt lots of transferable skills such as communication, research, project management, networking and how to make a financially viable event. 

Freelance:
Met art director friend
Together approach British film institute to develop an event 
Worked with Spotify on podcasting event Podx as well as festival celebrating women in podcasting.
Going freelance allowed realisation that skills could be used in an enjoyable way


Started Pesa as wanted to create something bigger than himself
big brands aren't centred around a person but a common value, idea or goal

Pesa Production:
Supported by Virgin Startup

What is creative production:
sell creative production both as service and product:
'The work we make and people you make it with should reflect the world you want to live in. Whilst inclusivity in front of the camera is important, it's equally important behind camera' 


Producer:
Producer puts ideas together, brings them into reality, art director paints the picture. 
Link between design and production, producers need designers for event branding and other stuff. 


important lessons:

Value based networking: Identify what you can do for others, don't just focus on what others can do for you. 

Identify your value, see own value when networking.

Client experience, never leave a bad taste in someone's mouth, be polite, keep promises and be punctual.

Ideas are useless without action, creativity comes to those who work.

Find your advocates, know who supports you, be courteous and polite you never know who will make it big.

Value what you do and don't be afraid to fail. 

6A2, 6B2 - Valentina Medina, Suspira


Did a BA in fashion Design in Berlin, then did Masters in fashion journalism in London.
She then worked at W project after uni as social media editor, she worked unpaid for year and half, did other jobs on side.
Valentina loves taking ideas and making them into concepts, she didn't really know what a creative director was until she became one. 

When you work for yourself your strengths and weakness become more obvious

biggest struggle was how to pay the bills without selling her soul

You would never ask a lawyer or doctor to work for free so why would you ask a designer?

The magazine: A format to showcase the cultural and artistic nature of the horror genre. She created a publication that acknowledged the content of horror, horror is a very broad term therefore there's multiple different themes to explore making a lot of content for the magazine. However people struggle to understand the genre and just think of horror in terms of blood and gore. Valentina sees it as a much more interesting genre and wants to celebrate it. 

When creating the magazine Valentina said the most important part of the process is showing your work to people you trust and also people who understand your idea and the industry. 

Creating issue 1 - took her a while to decide how to produce it as there was a large amount of imagery, she didnt want it to look like a cliche horror magazine but instead a stunning piece of design. Overall it took her and the designers 7 months to produce however for issue 2 when she had more of an idea of how to do things it only took her 5 months. 

One of Valentina's main goal was to show that women are just as capable of violence as men are in a horror setting. Most classic horror films were produced at a time when women didn't have an important role in films and often played a sexy/ submissive character. She wanted to highlight the importance of these female characters and the craft behind it.

In terms of going digital Valentina thinks Suspira works better in a printed format as there is a lot of focus on the finish and colours. She likes to pick an accent colour for each issue to create consistency throughout. She also uses the same typefaces throughout which again keeps it consistent. 




Friday, 15 February 2019

6B2, 6D2, 6A2 - Getting Paid

How much should we would charge clients?

We were given some examples and had to say how much you'd charge, here are my answers:  

Logo for a student?
£25

Full Indie mag design?
£100

Branding for a festival?
£1500

Alec then went over how much you could realistically charge and it made me realise how much my work is worth and that I didnt charge anywhere near enough.

Tips on getting paid/ quoting:

Get 50% upfront

He then asked us to work out our monthly outgoings to see how much we needed to be paid. 
These things included rent, food, bills etc, and then extra money for luxuries.
If you are not paid, set up an email address that is your 'accounts team' email pretending to be from accounts team

Invoice must include:
-name
-invoice number
-date
-client
-ref number
-costs
-title, item numbers
-terms
-total

Thursday, 14 February 2019

6B2 - Suspira research

Suspira is a feminist horror magazine that dissects sinister subjects through a feminine lens. Each themed issue explores an archetype of fear and fascination.

Suspira #1

The Monster Issue


We fear what we don’t know, this much is true. So we create otherworldly creatures to project onto and make sense of our own dread. Sometimes monsters are very real indeed.
The Monster Issue of Suspira faces fears in order to uncover the truths and misconceptions behind the monstrous.
 

Features include: Strange Love, the romances between humans and monsters; The tragic life of Julia Pastrana, the 19th Century woman who became famous for being born with ‘werewolf syndrome’; A conversation with Cecilia McGough, mental health activist and author of ‘I Am Not a Monster: Schizophrenia’; Sociologist and horror connoisseur Andrea Subissati discusses the evolution of the monster, gender-norms and the representation of women within horror; The Monstrous Female, the mythological women scorned and turned nightmarish for non confirming to patriarchal expectations; The origins of our fear of clowns; The beautifully grotesque art of Horacio Quiroz, and much more.
Enter if you dare...


Suspira #2

The Fetish Issue


Moving on from the monstrous to the feminine, Suspira magazine brings sensual nightmares to life, exploring the fear of feral female sexuality.
Unraveling the intersection of horror and sex, the Festish Issue of Suspira invites you into a psychosexual forest of the bizarre to discover the pleasures of your own dreads and desires.

https://www.suspiramagazine.com

Saturday, 2 February 2019

6B2 - Careers Appointment

To get some advice on my personal statement I booked a careers appointment through the careers portal. I had my meeting with Sue who was very helpful and supportive of my application and gave me lots of confidence ahead of my interviews.

Here is my complete personal statement, Sue didn't tell me to change much she just helped me take things out as it was over the word limit.

I believe teaching is a very rewarding and fulfilling career. From a young age I always enjoyed attending school and still remember to this day the teachers that stood out to me and had a big impact on my life. My passion for teaching lies with Early Years/ KS1 as I would like to make an impact early on in a child’s life. 

I managed to receive some amazing experience when volunteering at Berry Brow Infant & Nursery School in Huddersfield which really solidified my desire to teach. My placement started in February 2018 and ended in May 2018 however, I am scheduled to return in the new year once I have handed my dissertation in at university. During my time at Berry Brow I helped out in the reception class one morning a week and assisted  in many simple classroom tasks such as listening to the children read, helping the children when they got stuck with arts & crafts tasks, ensuring the children played safely outside and running with the children and encouraging them on their daily mile. As well as this I often assisted the teachers and helped them with jobs such as getting work stations ready in a morning before the children arrived, sticking some of the children’s work up on the display boards, putting new handwriting tasks into exercise books and putting books that the children had borrowed back into the correct section of the library. 

Prior to this I had very limited experience of working with children and I was honoured to get the opportunity, over the limited time I was there I learnt many valuable skills and things about myself. I now know that I can adapt myself well and think on my feet when I need to, it also helped me improve my leadership skills, communication skills and ability to help as well as discipline young children. Over the three-month placement I found it remarkable how much development the children made in their reading and writing skills and I was grateful for the opportunity to support the activities which engaged the children and enabled them to achieve while having fun. Being able to see the children develop was hugely rewarding and I look forward to actively contributing to this further during my teaching career. 

Despite not doing a national curriculum subject at university I believe I have many transferable skills that will assist me in a teaching role. I am a very organised person and I am excellent at planning my time, I enjoy working to deadlines as working under pressure gives me more focus and drive to get things done.  As well as this I believe my creativity and love for art and design will help keep my lessons fun and interesting. I studied English Language and Literature at A-level therefore I am a very competent writer and gained many skills during this time as it helped me with my grammar and sentence structure, as well as my ability to analyse and interpret text. I also studied Applied Science at A-level so I have a wide understanding of all three science which will aid my teaching, this also helped me keep my maths skills up to scratch as we had to memorise certain equations and calculations to help us during exams.   

From my work experience it is clear to me that teaching is the career path I want to go down and doing a PGCE seems the best way for me to achieve this. The PGCE course appeals to me as it seems engaging and a great way to develop many skills that will assist me as a teacher. After doing a lot of research I know that a PGCE is a lot of hard work and won’t be easy however I am excited to start engaging with young children in a way that will benefit me and lead me to my dream career.  

Friday, 1 February 2019

6B2, 6A2- Lesson plans

Lesson Plan
  

Year 1: Poetry and Rhyming 

Word recognition: decoding (reading) and encoding (spelling)
§  Identify the constituent parts of two-syllable and three-syllable words to support the application of phonic knowledge and skills 
§  Recognise automatically an increasing number of familiar high frequency words 
§  Apply phonic knowledge and skills as the prime approach to reading and spelling unfamiliar words that are not completely decodable 
§  Read more challenging texts which can be decoded using their acquired phonic knowledge and skills, along with automatic recognition of high frequency words 
§  Read and spell phonically decodable two-syllable and three-syllable words

Word structure and spelling
§  Spell new words using phonics as the prime approach 
§  Segment sounds into their constituent phonemes in order to spell them correctly 
§  Recognise and use alternative ways of spelling.
§  Read and spell phonically decodable two-syllable and three-syllable words


Key aspects of learning:
Enquiry
Children will explore sounds, rhythms and rhyme and ask questions about what they can see and hear. 

Reasoning
Children will explain the words they chose to rhyme with other words and explain why their drawing is suitable for their rhyming word. 

Communication
Working in pairs to sounds out words and connect them to the correct rhyming words. 



6B2 - Contacting a primary school for work experience

Last year I gained some very valuable experience when volunteering at a local primary school in huddersfield. I started Volunteering in reception class at Berry Brow Infants and Nursery from February to June. Over my time there I gained a lot of confidence when it comes to communicating with children and working in a classroom environment. This has been great to talk about in interviews.

However I want to gain some more experience from a different school to see how this differs from how Berry Brow is run. I decided to contact my old primary school as I thought it would be nice to revisit the place that first sparked my interest in teaching. 

I found the email for Dalton School on their website and decided to use this as my first attempt at contact. I thought it would be easier for someone to respond to an email rather than answer the phone and deal with all my questions especially somewhere as busy and unpredictable as a school.

EMAIL: 

Good Afternoon,

I have recently received an offer to train to teach on the Kirklees & Calderdale SCITT. Before I start I am wanted to gain a bit more in school experience particularly in KS1 and KS2 classes to prepare me for the course. 

Last year I volunteered at Berry Brow Infant School one morning a week and was situated in their reception class. I really enjoyed my time there but I am wanting to gain experience from a different school, to see how other schools operate, as I think this will be more beneficial for me. 

I would be available one day a week either Tuesday or Wednesday. I am happy to sit and observe classes but I can also offer any assistance in terms of checking classroom supplies, helping set up before lessons etc. 

I myself attended Dalton School from nursery to year 6 therefore thought it would be interesting to come back and gain experience at a school I have many fond memories of. 

Thank you for taking the time to read my email, I look forward to hearing from you.

Kind regards
Lucy Gibson

I then got a response from Emma who invited me in for an interview. 



6B2 - PGCE interview Huddersfield uni


10.00 am  - A school based task at Berry Brow Infant and Nursery School
1.00 pm - University based interview at the School of Education, Lockside Building, University of Huddersfield

At the University, there will be:
  • A brief introduction to the course
  • An interview with the course tutor
  • Various written tasks
You need to read and have understood the Teachers' Standards. You will be asked about this. 
You will need to bring with you an object that you would use in a classroom with five to seven year olds to inspire a teaching session.  You'll be expected to talk through how you would use the object and why you chose it.  The object should be a 'hook', an engaging starting point for learning.
You will be expected to present a poem as if you were presenting it to a class of children.  We will give you the poem on the day. You should note that this will be to the tutor and not to the other candidates or children.

At the local school, there will be:
  • a 20 minute observed teaching activity
  • a 5 minute reflection and feedback discusssion.
You need to bring a book and teaching resources to read and interact with a group of children from the following age range - foundation to the end of Key Stage one.
You will be observed by either a school teacher or a University tutor.
The session will only be around 20 to 25 minutes so you need to plan accordingly.

Again for this interview I did my lesson about the book 'Giraffes Can't Dance' and again used the worksheets created for my first interview.
For my object I took in a plastic wand and created a lesson plan around this.

The Mystery Wand Lesson:



1.    Asking the children what a wand does and where they’ve seen a wand used before (in books, films or TV) 
Children use their memory to think back to where they’ve seen wands before, this helps them imagine characters who would use a wand. 

2.    What character might use a wand? (A fairy god mother, a wizard, a witch, a fairy) 
Children use their imagination to think of fictional characters who would have a wand and can then think about if they use it for good or bad. 

3.    Drawing an image of who would use a wand, are they good or bad? 
      Using their imagination to come up with a character who would use a wand, what would   they look like if they were evil, how does this differ to someone who is nice? 

4.    If they could have one wish what would it be? Drawing a picture to illustrate this wish and writing a sentence to accompany it. 
Using their imagination to draw the scene of their wish being granted. Then practicing their handwriting and spelling by writing a sentence to describe what is happening in their drawing. 

5.    Making their own wands and using this to grant wishes. 
Helping improve fine motor skills and hand eye coordination by asking children to cut out star shapes needed to create the top of their wand. Then getting them to cut out strips of tissue paper or ribbon to decorate their wands with. 

6.    Acting out their sentences about making a wish in groups. 
Encouraging children to work in groups and communicate with each other. Develops language skills as they have to explain ideas clearly. 


6B2 - PGCE interview Leeds Beckett Uni

The Interview
Your interview and tasks have two main purposes:
  1. To establish whether you have the attributes that will enable you to cope with both the professional demands of the award and the related academic work
  2. To give you the opportunity to explain what attracts you to teaching as a career and why you think you are a suitable candidate
The interview will include:
  1. Short presentations by applicants (5 minutes) in groups
  2. Small group task
  3. Skills Tests diagnostic (for Numeracy and Literacy) and a short written task
  4. Short individual interviews which begin with applicants sharing school-based work
    experiences and/or experience of working with children in settings other than school

    1. Presentation: select a short story/appropriate extract (fiction or non-fiction) suitable for use within your chosen age-phase.
    You will be expected to:
    •   Introduce your chosen book with a rationale for your choice; (target age and area of
      learning)
    •   Read your short story/extract from the book out loud to a small group of other applicants
      who will be in role as pupils; (allow 1 minute for reading your short story/extract out loud)
    •   Illustrate how you would use the story to support learning and teaching. You may wish to
      bring associated resources; (resources should not require special equipment or set up time)
    •   You must be prepared to answer questions from other applicants about your presentation as
      well as be prepared to ask questions of others
    •   You will have up to 5 minutes to do this so rehearsal will be key to your preparation
      2. Small Group Task: Preparation for this task prior to interview is not required.
      3. Skills Test Diagnostic: As mentioned earlier, the first (morning) session of your interview day will have involved a short maths task and two short writing tasks. For each of the short tests, you will have a printed copy in front of you. The timings are short but because of the nature of the tests, the interviewer will have some flexibility; you will be invited to indicate a declared disability, e.g. dyslexia, on the response sheet and this will be taken into account. The short maths tasks involve multi-step calculation; calculators will not be used but you will have space to make informal jottings. 


      To make things easier I did my presentation on the same book 'Giraffes Can't Dance' and I used the same work sheets I had created for my previous interview.